About Heritage Auctions - Art: American Paintings & Sculpture

Art: American Paintings & Sculpture
Ed Jaster
Ed Jaster
Senior VP, Heritage Auctions
EdJ@HA.com
1-877-HERITAGE (437-4824)  x1288

From the very beginning, Ed Jaster seemed destined for the art business. His parents met while attending the School of the Art Institute of Chicago in the 1940s, the same school their son would later attend. Subsequently, for some 20 years, Ed owned his own commercial art firm in Chicago, acquiring, trading, and selling world class collections of American photography, illustration art, and vintage comic books. Ed brought his vast experience and expertise in collectibles to Heritage Auctions in 2002.

Aviva Lehmann
Aviva Lehmann
Director of American Art, New York
AvivaL@HA.com
1-877-HERITAGE (437-4824)  x1519

Aviva Lehmann joined Heritage in January 2013 after fourteen years in the auction industry. With over ten years of in-depth knowledge and experience in American Art, she holds a broad interest in all aspects of the field. Ms. Lehmann previously served as Vice President, Specialist in the American Art department at Christie’s, where she was instrumental in establishing dozens of auction records in virtually every category of American Art. While directing their mid-season auctions in 2004-6 she doubled the value of these sales. Additionally Ms. Lehmann has lectured on American Art at museums and institutions throughout the country.
 
Prior to her tenure at Christie’s, Ms. Lehmann worked for two years as assistant curator of Judaica at the Jewish Theological Seminary in New York. Ms. Lehmann graduated Magna Cum Laude with a Bachelor of Arts degree in Art History from Yeshiva University.


Marianne Berardi PhD
Marianne Berardi PhD
Senior Fine Arts Expert
MarianneB@HA.com
1-877-HERITAGE (437-4824)  x1506

Art historian Dr. Marianne Berardi serves as Heritage Auctions' Senior Expert in American Art and Director of Old Master Paintings. Her dual expertise in American 20th-Century Art and Dutch 17th Century Painting was the combination which first brought her to Heritage in 2006 to research and write the book-length auction catalogue for the Walsh Family Collection of American and European Painting sold through Heritage in the Fall of 2006. Since that time she was responsible for bringing to Heritage the following collections and estates, as well as researching and writing their accompanying catalogues: the Hon. Judge Paul H. Buchanan Collection of American Painting (November 11, 2009);Lucille Ball Memorabilia from the Collection of Susie Morton and Gary Morton (Lucille Ball’s second husband) (November 14, 2010); The Collection of Paul Gregory and Janet Gaynor (March 20, 2011); Contemporary Art from the Estate of Dr. Edmund P. Pillsbury (October 26, 2011); Selections from the American Painting Collection of the Jean and Graham Devoe Williford Charitable Trust (May 15, 2012; May 11, 2013; and May 2014 forthcoming).

 

Marianne holds both a M.A. in 20th Century American Art and a Ph.D. in Dutch 17th-Century Art from the University of Pittsburgh. She held a Kress Fellowship; a Theodore Rousseau Fellowship in connoisseurship studies at the Metropolitan Museum of Art, New York; and two consecutive Andrew W. Mellon fellowships. During her five-year tenure as Director of the Albrecht-Kemper Museum of American Art in St. Joseph, Missouri, she published widely on Benton and the Regionalists. In 1993, she curated a comprehensive exhibition of the work of Thomas Hart Benton and many of his pupils whom she tracked down from many regions of the United States. The exhibition, Under the Influence: The Students of Thomas Hart Benton (1993), was accompanied by her book-length catalogue of the same title. In 2010, her book on Benton pupil Margot Peet (Discovering Margot Peet) was published by Posterity Press. Following her move to Cleveland, Ohio, Marianne served as Director of the Cleveland Artists Foundation. She has taught art history at the University of Pittsburgh, the Kansas City Art Institute, Case Western Reserve University, and John Carroll University.  She has a reading knowledge of French, Dutch, German, and Italian. She is currently completing a monograph and catalogue raisonne on the celebrated Dutch flower painter, Rachel Ruysch (1664-1750), on whom she is the recognized authority.

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