1808 $2 1/2 MS63 NGC....
|Sold for:||Sign-in or Join (free & quick)|
|Claim Item:||Sign-in or Join (free & quick)|
|Auction Ended On:||Jan 10, 2008|
8 Internet/mail/phone bidders
6,197 page views
Orange County Convention Center
John Reich was a Bavarian native who learned the engraving trade from his father, Johann Christian Reich. According to L. Forrer in the Biographical Dictionary of Medalists: the elder Reich was "born at Eisenberg (Saxe-Altenburg) about 1740, settled at Furth in 1758, and died in 1814. He probably began as an assistant to a Counter-manufacturer, but started business on his own account about 1770, as shown by various counters bearing his name, some of which refer to the famine of 1771/1772. He had a factory of organs, clocks, mathematical instruments, musical boxes, and other objects. Of that period is a series of medals by him dated 1771 and 1772, and commemorating also that famine." The younger Reich, according to Forrer, collaborated with his father from about 1789 to 1800. Johann Matthias was born in Furth in 1768. Many of the medals issued during those years with the signature of Reich were the work of father and son together.
John Reich immigrated to America in 1800, settling in Philadelphia. Apparently he came at the suggestion of Henry Voigt, quickly gaining the attention of Mint Director Elias Boudinot. In a June 16, 1801 letter to President Thomas Jefferson, Boudinot commented that "I have been waited on by Mr. Reich and was much pleased with his work." Jefferson, in turn, agreed to have Reich prepare the design for his own Indian Peace medal.
Robert Patterson replaced Boudinot as Mint director, then hired Reich as assistant engraver. A short time later, another engraver arrived from Europe. Moritz Fürst came to Philadelphia and "was firmly convinced that he was to assume the office of chief engraver, according to representations which had been made to him by Thomas Appleton, the American consul at Leghorn," according to Georgia S. Chamberlain in the March 1955 issue of The Numismatist. Eventually, both Reich and Furst worked on designs for various medals at the Mint. Reich left his post at the Mint in 1817, and spent his remaining 16 years in Albany, New York.
The 1808 quarter eagle is the only issue of this denomination to display Reich's handiwork. Only 2,710 pieces were minted during the year, and it is likely that all were from this single pair of dies. Only one variety is known, with approximately 150 surviving pieces. The combination of a low survival and high demand from type, date, and variety collectors ensures that examples are infrequently offered and hotly contested when they are made available. In Walter Breen's Complete Encyclopedia, the author states: "No archives documentation explains the small mintage, abandonment of the design, or noncoinage of quarter eagles for the dozen years to follow. All we have is conjectures; mine follow." Essentially, Breen suggested that the banks, who made regular deposits of gold to be converted to coin, preferred the half eagle coins: "over 90% of the time they wanted most or all their gold deposits coined into half eagles." This same reason is usually quoted for large production of half eagles throughout the early 19th century, but it fails to explain why the largest gold coin of that time, the eagle, had not been produced since 1804, not to appear again until 1838.
The scintillating example that we offer represents the usual die state with an obverse die crack through the rear peak of the cap, continuing over the cap to the left, and through all stars on the right. There is no evidence of die lapping or any other cracks on either side. It is believed that the obverse die actually cracked as it was being made, and that no perfect-die coins exist. As always, the border dentils are weak and almost nonexistent on the obverse. The surfaces are lightly abraded as always, with faint adjustment marks visible through ES OF on the reverse. The central obverse and reverse design detail is bold, and the overall eye appeal is excellent. Both sides are fully lustrous, with slightly reflective fields and rich orange-gold color. Hints of rose patina complete the picture. Census: 5 in 63, 1 finer (12/07).
From The Madison Collection.(Registry values: P8) (NGC ID# 25FD, PCGS# 7660)
Service and Handling Description: Coins & Currency (view shipping information)