Greek: CALABRIA. Tarentum. Ca. 302-280 BC. AR didrachm (21mm, 7.87 gm, 6h). NGC AU 4/5 - 5/5....

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CALABRIA. Tarentum. Ca. 302-280 BC. AR didrachm (21mm, 7.87 gm, 6h). NGC AU 4/5 - 5/5. Lyciscus and Xor-, magistrates. ΛYKIΣKOΣ, Nike advancing left, head reverted, restraining horse rearing left, rider wearing crested Phrygian helmet, spear and small round hoplite shield in left hand / TAPAΣ, Taras astride dolphin left, right hand outstretched, spear and shield embossed with E in left; ΞOP before, waves below. Vlasto 681. SNG Ashmolean 302. SNG ANS 1057. SNG France 1874. HN Italy 963.

Taras, a figure of Greek mythology and the eponymous founder of Tarentum in Calabria, played a pivotal role in the art and culture of the region. Taras was believed to be the son of Poseidon, the Greek god of the sea, and a local nymph named Satyrion. According to mythology, Taras was saved by his father Poseidon when he was thrown into the sea by his mother, who feared his divine nature. He was carried to the shores of southern Italy, where he founded the city of Tarentum.

Depicted as a youthful and handsome figure riding a dolphin, Taras symbolized the city's maritime significance and its unique blend of Greek and local influences. His imagery, prevalent in coinage, sculptures, and other artistic representations, served as a source of civic pride and a testament to Tarentum's rich heritage. Taras' influence extended beyond Calabria. The city of Tarentum itself became known for its wealth and cultural achievements, including its distinctive red-figure pottery. The figure of Taras and his association with the sea continued to be influential in the art and culture of the region for centuries.

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