Greek: CALABRIA. Tarentum. Ca. 281-240 BC. AR stater or didrachm (21mm, 6.56 gm, 2h). NGC Choice AU 4/5 - 4/5, Fine Style....

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CALABRIA. Tarentum. Ca. 281-240 BC. AR stater or didrachm (21mm, 6.56 gm, 2h). NGC Choice AU 4/5 - 4/5, Fine Style. Ca. 280-272 BC. Neume-, Xo-, and Poly-, magistrates. Nude youth on horse walking right, crowning horse with wreath in right hand, horse raising right foreleg; ΞΩ behind, NEY/MH below / TAPAΣ, Taras astride dolphin left, helmet in outstretched right hand; flanked by a star on either side, ΠΟΛΥ behind. HN Italy 1006. Vlasto 739-749. Reflective surfaces with an icy backlight on gunmetal toning.

From the Werner Collection. Ex Heritage Auctions, Auction 3057 (7 September 2017), lot 30002.

Taras, a figure of Greek mythology and the eponymous founder of Tarentum in Calabria, played a pivotal role in the art and culture of the region. Taras was believed to be the son of Poseidon, the Greek god of the sea, and a local nymph named Satyrion. According to mythology, Taras was saved by his father Poseidon when he was thrown into the sea by his mother, who feared his divine nature. He was carried to the shores of southern Italy, where he founded the city of Tarentum.

Depicted as a youthful and handsome figure riding a dolphin, Taras symbolized the city's maritime significance and its unique blend of Greek and local influences. His imagery, prevalent in coinage, sculptures, and other artistic representations, served as a source of civic pride and a testament to Tarentum's rich heritage. Taras' influence extended beyond Calabria. The city of Tarentum itself became known for its wealth and cultural achievements, including its distinctive red-figure pottery. The figure of Taras and his association with the sea continued to be influential in the art and culture of the region for centuries.

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